Who is Luis Manuel?

Luis Manuel Otero Alcantara

“I am interested in working with the gap that is created within different contexts, feeling the limits between reality and fiction. I try to use everyday gestures by altering them and thus generate a questioning of it.”

 

Art throughout its history has been interested in social, political and cultural issues and because of this reason artists have often been in serious trouble with cultural institutions or with their own country's governments. Art by nature is uncomfortable, while at the same time it has an extraordinary power to mobilize people towards an idea.

For this reason, the concerns of the artist and human rights activist, Luis Manuel Otero Alcántara, are not an isolated case. His social work seeks to bring to light those issues that may affect our country.

Luis Manuel was born in the marginal neighborhood of Cerro in Havana, Cuba, on December 2, 1987. His parents, both deceased, were working class. Luis Manuel dedicated himself in his early youth to practicing athletics professionally. He also graduated as a Technician in Civil Construction.

Luis Manuel since 2011, when he abandoned sports and turned to the world of art, participated in workshops at the Higher Institute of Art in Havana. Among them is a Video Art Workshop given by the artists Celia and Junior (2012), and a 'Net Art' Workshop (2012). It also approached the Conduct Chair of the artist Tania Bruguera, a class that has been decisive for a whole new generation of visual artists, of which Luis Manuel takes part.

From 2017 to 2018 Luis Manuel was also part of the cycle of workshops at the Hannah Arendt Artivism Institute, also promoted by Tania Bruguera.

He has been a resident artist in programs such as the Tallera, located in Cuernavaca, Morelos, Mexico (August, 2019); as well as in the Residence of the Laboratoire nomade ANAHATA, France (July 12th-25th, 2019). He held another creative residency at Metal at Chalkwell Hall Southend on Sea, UK (October 15th-26th, 2018).

His work has been exhibited in group shows such as The Mother of All Arts at the Wifredo Lam Contemporary Art Center, Havana, and We Don't Know How to Return Alone at El Ranchito-Matadero at Madrid, Spain, the latter as part of the El Ranchito-AECID-Artista X Artista Residency program. Other group projects have been developed in Art Biennials such as Asunción, Curitiba and Havana.

Luis Manuel is the general coordinator of the San Isidro Movement, a collective made up of artists, producers and activists that was born in the heat of the “Cuban artists against Decree 349” campaign; a decree that criminalizes cultural production on the island. The Campaign carried out in 2018 promoted the repeal of the decree through legal claims, artistic actions and unauthorized peaceful demonstrations.

Among the activities carried out during the campaign against Decree 349 are the presentation of formal complaints to the Attorney General's Office, the Ministry of Culture and other institutions; the realization of concerts in independent spaces (“Without Permission of the 349”), The elaboration of pictures for social media (those of Amaury Pacheco and Nonardo Perea stand out), the launch of Film Festivals (“Celuloide Quemao”), public debates, poetry recitals, signing of manifestos (“San Isidro manifesto”), symbolic pilgrimages, and collaboration in sporting events (“Cuban visual artists dedicate themselves to soccer”).

Currently, the Movement has 18 members and has a transnational character due to the forced exile of several of them, however it continues to work to create emancipatory spaces in the nation, seeking the democratization of Cuban politics and society, and working towards the healing of society and its spaces for interrelations.

Luis Manuel is also the co-author, together with the art historian Yanelys Nuñez, of the Museum of Dissidence in Cuba (MDC), a dynamic online platform with reference files, cultural gallery, blog, etc. but that is also presented in real places offering spaces for dialogue and artistic creation. The Museum recontextualizes the concept of 'dissidence' and seeks to empower dissidents in their work as agents of social change. The MDC had its premiere during the El Ranchito-AECID-Artista X Artista Residency Program (March 1st - April 15th, 2016) Madrid.

On the other hand, Luis is also the main coordinator of the #00Biennial of Havana, an independent event that used artists' studios, domestic and public spaces, and social media as a platform for exhibition and inclusive dialogue. The idea of ​​the #00Biennial arose from the erroneous decision of the Ministry of Culture to postpone the 13th Havana Biennial, scheduled to take place in 2018. This independent event, whose first edition took place in May, 2018, held more than 170 Cuban and foreign artists and directly challenged Cuban institutions.

Luis Manuel's work as an artist and human rights activist has stablesh him as an opinion leader, and one of the most recognized public figures on the island. His public interventions such as "Where is Mella?" (2017), one in which he wondered where the sculpture of this young communist leader was once located inside the Manzana de Gómez building and disappeared after it became the first 5-star plus hotel in Cuba. “Drapeau or 24 hours of the month of August with the flag as a second skin” (2020) or “Children were born to be happy, not to die in building collapses” (2020) questioned the lack of economic transparency of the Cuban State and the consequences of the institutional crisis in the most humble population of the country, as well as the use of national symbols by the regime to encourage a harmful nationalism.

"Drapeau" not only generated a massive challenge on social networks, entitled #LaBanderaEsDeTodos, where Cubans appropriated their national flag in the way they wanted, but also placed a question in the midst of a national debate: Who are the owners of the national symbols: the regime or the people?

Luis was one of the "Acuartelados de San Isidro", a spontaneous civic event generated by the unjust arrest of the artist and opponent Denis Solís. For a week (in November, 2020) 14 people besieged by the political police, began a hunger and thirst strike calling for the release of young Denis. The peaceful protest inside Luis Manuel's house ended with a violent eviction by the Cuban police.

Although the defamation in the official press led to profound misinformation among the public about what was happening inside San Isidro in Old Havana, in those days people were aware of the peaceful protest. The hunger and thirst strike carried out by them, as well as the heterogeneity of those gathered there, represented a good rehearsal for the dream Cuba (plural, democratic, brave) and the Cuban people felt it. Demonstrations in Madrid, Miami, Berlin, Rome were held as well as requests for support from the European Community were demanded as some of the expressions of help from the Cuban diaspora.

In April 2021, Luis Manuel led a second hunger and thirst strike alone, this time seeking the end of the state of siege in which he was found and the return of some of his works of art that were stolen by the Cuban regime. This happened in the midst of an arbitrary arrest of Luis Manuel himself. He was on strike from April 25th to May 2nd, the date on which he was forcibly removed from his home and forced into a hospital. The hospital prison lasted for a whole month, during that time he was kept isolated in a room, under continuous surveillance, and a light was on the whole time as a form of turture.

On July 11th, 2021, Luis Manuel was arrested when he tried to participate in the peaceful demonstrations that took place that day nationwide. Before leaving his house, he made a call through his social media seeking unity and asking for an end to the repression in Cuba. Since that date, Luis has been in prison, charged with the alleged crimes of outrage against national symbols, assault, resisting arrest, and contempt of law that are included in the file 24th of 2021.

While in prison, Luis made the work “Letter of Resignation”, with the mediation of the curator Claudia Genlui. Through this gesture, Luis summoned Cubans to imagine the letter of resignation that the current president of Cuba, Miguel Díaz Canel, would write.

While in prison he has also carried out two hunger strikes, one from September 27th to October 12ve, 2021, and another from January 18th to date. His only demand was his immediate release.

From 2016 to date, and due to his work as an activist, Luis Manuel has suffered around 60 arbitrary arrests, defamation in the national press, violation of his privacy, cut off of his communications including telephone service, intervention of his calls, threats to his family and friends, illegal searches of his home, assaults by the police, seizure of campaign materials at the airport. He has been accused of being a terrorist in the official press just because he defends freedom of expression, and cultural and human rights. He has been despised by official artists such as Ernesto Rancaño for the simple fact of trying to live and work in Cuba (remember the post by the aforementioned artist: "I prefer a Cuba without Alcántara").

For his work, he has been selected as one of the 100 most influential people of 2021 by Time magazine, in the Icon category. In addition, the Victims of Communism Commemorative Foundation, known worldwide as Victims of Communism (VOC), presented in 2021 the "Annual Human Rights Dissident Award" to the San Isidro Movement (MSI) for its activism in Cuba. In addition, the British magazine Art Review included the MSI in its ranking of the most influential people and groups in the art world in 2021. Luis received the Oxi Award for Courage 2021 awarded by the Oxi Day Foundation, Washington DC, United States.

Critical comments on his work can be found in Le Monde, El País, El Correo de Andalucía, New York Times, Artishock magazine, Hyperallergic, Noticias de Artecubano, Havana Times, Cubanet, Art on Cuba, PUBLIC Magazine, Revolución y Cultura, Oncuba Magazine, Vie des arts, etc.